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devotion - Dance your way to the believe

was worship of Flagstaff at the opening festivities of the Karthigai Deepam

Today's Discourse in the last Paramahamsa Nithyananda's series "Holy feelings. The topic was devotion, dance your way to faith, dance your way to divinity. If you are just going, then you're not going to divinity. He was very clear: if you go only are you carrying your body. Leads go only straight to the cemetery. When you dance, it's always on divinity.

He clearly said that it is not dancing on drugs or alcohol influence. Ramakrishna said very nice, "If many birds are on the tree and you klappst your hands under the tree, fly away all the birds. That may be so, if you klappst your hands and dancing, then fly all the karma of it in your heart. "The burden that you carry in your heart, all the karma in your heart will simply run away when you sing, dance and worship or religious services executing. This makes Kirtan, the audition and answers in sacred Sanskrit chant, an important technique to enlightenment. He let a paragraph, the Narada wrote about the different expressions of worship:

worship and devotion to the master with Pratyaksha Pada Puja

"hear stories about him, make songs of praise, remember about him, to care for him and care, worship him, say hello, the practice of termination of service, dedication, loving intimacy and complete devotion to him. "

Swamiji was so moved by the heel, he said," Oh, God. I think he has given a complete and comprehensive description of devotion, or at least tried. "

He went on to explain that is not an expression of worship except Kirtan, a technique. While you're singing and dancing and considers the idea of the divine, you close it in your bio memory. Kirtan gives your system easily. Wear a light nature, and nothing can touch you. He stressed that he would define character. Bedeuted character to have a light nature, otherwise nature. It's a relief to have a light nature. Only a person who has a light being, capable of singing and dancing. In addition, you should, whenever possible listen, you divine music. He suggested a half hour daily, three to four times weekly, to dance and sing. Not fixed as a routine, but whenever you have time, then your whole being a light beings be. You will not be the soil in which the breeds negativity. A brooding spirit is the ground for negativity.

Swamiji remembers the years in which he roamed as a seeker in all of India. He remembers to have run a lot of students just singing and dancing. The levels of ecstasy and Bhakti were created and stabilized in its essence. For many days, even months, the experience remains in the system. It is inconceivable but you do not need anything from the outside world. If you have only a taste of ecstasy. It not only creates waves of devotion in you, the nervous system is so powerful, it will remain in your bio memory.

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eKalpataru with Paramahamsa Nithyananda in Germany

The first eKalpataru with Avatar Paramahamsa Nithyananda in Germany took place on 16 October 2010!

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Prema Bhakti: The final way

Avatar Paramahamsa Nithyananda established in divine bliss, or eternal bliss talking about here and Prema Bhakti Sacred Sentiments - Holy feelings ...

Paramahamsa Nithyananda has spoken on various dimensions of Bhakti. He lit from different angles, the sense of Bhakthi. Today he spoke about an important aspect of Bhakthi: spiritual belief.

self Swamiji can, according to him, not be reduced to mere words, what the large, ecstatic "Prema Bhakthi 'accounts. However, he offered to give us a few techniques, definitions and inspiration. But he wanted us to make very clear that he does not define "Prema Bhakti", but explain only a few techniques wants.

So, take the following simply as an inspiration, because it is extremely venerable

He read us first before a beautiful poem by Akkamahadevi.

like a treasure hidden in the ground

The flavor in the fruit

The gold in rocks

The oil in the seeds

is the absolute hidden in the heart

No one can know the path of Chennamallikarjuna

This poet was a Prema Bhakta and lived as a child in Ecstasy. It is so deeply hidden that you can not sing about it. He said their feelings would be so easy, why can not they express a few words? What she needs for a great poem?

Because it is simply too much. If you're obsessed with that experience, everything is on poetry. Therefore, they must say something that she brings her extraordinary ecstasy expressed. If you are in the Bhakti is not one possesses the Bhakti, Bhakti but that has a. It's not like anything in your house. Bhakti will own you. If you think you have Bhakti, then it is only a borrowed Bhakti.

Bhakthi

If you have, it is Prema Bhakthi. Swamiji mentioned that sometimes he just smiles, to avoid this issue. He does that when the subject is overweight. How to explain the phrase "in the heart of the believer, it drips like honey?

You can not really explain it, either you make the experience, or you do not do it. He laughed and said that most people who hear such a phrase likely to be needed after a bypass surgery!

some point it becomes dangerous to sing on Bhakti. Swamiji said that Bhaktas are aliens who do not belong on this planet. Some, non-mechanical parts of the brain are awakened in this way. If they are awake again, many can not even talk to normal people. Swamiji has supporters who can not go to parties, or to talk about other things. Due to their extreme ecstasy, they have nothing in common with normal people.

It's only the ecstasy that can sing. For Prema Bhakthi there is no real explanation, perhaps only experience possible ...

Swamiji told how to extend his eyes every time he utters these words. As it comes to his throat when he sings, the joy in expresses his body, and exudes the courage of his being with these great words, the most sacred feelings.

He hopes that he can transfer that experience to the visitors of its GNP (Bhakti Spurana program). This is the only reason why he sings every morning there and speak. Otherwise there is no good reason why so many words should be used to sing about something that can never really be sung or said.

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